These pants are a new addition to LEMAIRE’s wardrobe. They are made in tumbled cotton with a soft hand and a water repellent finish, making them both comfortable and functional. Their relaxed fit is complemented by the slightly curved wide leg silhouette and a drape effect obtained by two short pleats starting from the waistline. Unlined, the pants also feature large belt loops as well as a cut at the back leg introducing a subtle element of asymmetry and enhancing the overall visual appeal of the garment.
Specifications - 66% Cotton 34% Polyamide. Made in Italy. Measurements (size 36) - Waist: 80 cm. Length: 116 cm.
Oversized multicoloured knit in grey, red, pink and black. Features black sequins flowers on the left sleeve. Small woven patch logo in red on the back.
Specifications - Material: 75% virgin wool, 18% mohair, 7% polyamide. Made in Italy. Measurements (size 1) - Chest: 95 cm. Length: 100 cm.
Louis Vuitton Catwalk: The Complete Fashion Collections
Founded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world’s leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse.
This definitive publication opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director (1998–2014), and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.
Specifications - Hardback with printed cloth (without jacket). 632 pages. 27,7 x 19 cm. 1350 illustrations.
In her most personal book to date, Yayoi Kusama brings us into her private world through poetic recollections, giving insight into her creative process and the essential role language plays in her paintings, sculptures, and daily life.
With a new focus on Kusama’s use of language, this book features an impressive overview of her poetry, which the artist creates alongside her work in other mediums. Highlighting the importance of words to the artist, the book draws special attention to the captivating poetic titles of her paintings, such as in I WOULD LIKE TO SHOW YOU THE INFINITE SPLENDOR OF STARDUST IN THE UNIVERSE and FIGURE OF THE MIDNIGHT DARKNESS OF THE UNIVERSE THAT I DEDICATED ALL MY HEART.
These visionary titles are a quintessential part of Kusama’s eye-catching artworks, but also hold their own as unique aphorisms and appealing statements of cosmic spirituality. The poetry collected here touches on Kusama’s personal trials, her human ideals, and her heroic pursuit of art above all else.
Norway-based Canadian architect Todd Saunders has a unique understanding of the arctic landscape. His designs, set in some of the most remote locations on earth, splice modern sculptural forms with a deeply rooted respect for nature. His care for the natural landscape can be seen in his work, such as the Fogo Island Inn and the artists studios in Newfoundland. Rather than imposing themselves upon the countryside and coast, Saunders’s buildings seek a sensitive accommodation within the topography, among the icy flora, fauna, and treescapes of the landscapes they inhabit.
Specifications - Hardcover. Full color. 256 pages.
One of the great strengths of Keel’s works is that they stay subtle and reserved. We each find in them what we wish to find. In some, the melancholy is light-hearted, little more than a gentle, not unpleasant tug at a taut string somewhere deep inside us. In others there is more to it. Last Summer takes us to a threshold: evening has set in, a solitary view from a veranda with a drink in hand, friends laughing in the background as the day’s last light fades. In our mind play the images of a day that passed far too quickly, some flickering, some clear. Perhaps we feel briefly wistful, or perhaps we turn around and go back to the others.” Benedict Wells
Power extender in black. Features highly flexible 1.8 meter cable with exclusive finish. Custom designed plug. Three sockets and two USB ports enable you to charge your devices convenient and fast. Attach your Square on to a wall or under a desk with the integrated magnet.
Specifications - Sockets: 3 (Type F - 16 A, 100-240V - 50/60 HZ, MAX 300W). Weight: 400g. Dimensions: 7.6 x 7.6 x 7.6 cm. Material: Plastic (+20% recycled materials). USB: 2 (Type A - 5V DC - 2.4 A).
This book is the product of two years of following some of the most dedicated female snowboarders around the world. It contains the resulting medium format photographs and the 28 lith prints from the main body of work, details on how they were crafted, as well as the rider’s very personal stories, their words and works of arts. It is a declaration of love, a historic highlight of the culture, the passion and dedication of Women in Snowboarding.
COMME des GARÇONS and KAWS are pleased to present the artist’s first scent, MIRROR. Inspired by KAWS’s multi-faceted practice, MIRROR brings a complex blend of optimistic fragrant notes together in collaboration to create a musky floral scent.
The bottle design is a nod to the artist’s iconic COMPANION character who materializes across a variety of medium, from fine art to consumer products, leveling the hierarchies between “high” and “low”.
Focusing on recent works, the richly illustrated monograph Black Lemons provides an introduction to the work of Danish artist Emily Gernild (*1985). In conversation with editor and curator Milena Høgsberg, the artist explores how she builds her assertive, textured, colourful paintings, drawing from everyday life, dreams, curious idioms, or types of historical still life painting, determined to squeeze more out of them. With great ease she moves between oil paint and rabbit skin glue and pigment, allowing her to investigate the dynamic relationship between figure and ground in different ways. Art historian and writer Grant Klarich Johnson situates Gernild's practice in the landscape of contemporary painting, drawing comparisons to other generations of women artists, who have also explored genres historically deemed “lesser”.